如果摇滚乐是足以令人血脉沸腾的烈酒,爵士乐无疑就是那躺在釉质的杯中,在黑夜中光与影的撕噬下,漫不经心地散发着热气的黑咖啡。“列举描写幸福的伟大作品时,我不能忘记的是爵士乐。在整个爵士乐中,人们窥见那么一种微笑,潜在原始的旋律和它的制作之间。”曾经当过爵士乐手的米兰·昆德拉毫不掩饰地这样说。然而,在十九世纪末,当一批批黑人被剥夺了自由,开始美洲新大陆的拓荒历程时,辛酸与痛楚似乎应该是他们音乐生活中的唯一主题。但是流淌于血液中的音乐秉性使得黑人乐师们选择了爵士乐作为自身生活的最佳诠释。在新奥尔良的酒吧里,没有惊天动地 If rock music is full of bloodthirsty spirits, jazz is undoubtedly lying in the enamel cup, in the darkness of light and shadow torn, inadvertently exudes a warm black coffee. “When enumerating the great works of happiness I can not forget about jazz, where people see a smile, a potential original melody, and a production of it.” “Milan, Jazzman” Kundera did not hide this way. However, at the end of the nineteenth century, when a group of blacks were deprived of their liberty and began the pioneering process of the new continent of the Americas, it seems that the bitterness and pain should be the only topics in their musical life. But the flowing nature of the music in the blood has given black musicians the choice of jazz as the best interpretation of their own lives. In New Orleans’s pub, there’s no shame