写生与创作的关系总是剪不断、理还乱地缠绕在每一个画家的生活里。遍翻古代画论仍旧模糊一片,即便是今天,西方的各种绘画理论大量涌入,似乎依然没有对此问题给出高屋建瓴的答案。写生问题并没有被刻意提及,或许其根本就没有作为一个独立问题存在过。历代著述者只是努力去回答绘画到底是什么这一终极问题,但绘画里交错的各种复杂关系却还是含混不 The relationship between sketching and creation is always cut, unruffled in every painter’s life. It is still a vague idea that the ancient painting theory is over and over again. Even though there is a great influx of western painting theories, it seems that there is still no answer to this question. The problem of sketching has not been deliberately mentioned, and perhaps it simply did not exist as an independent issue. The authors of the past dynasties tried their best to answer the ultimate question of what the painting was, but the complicated relations that were interlaced in the painting were still ambiguous