“疏野”,是中国诗史上的大理论家司空图在《二十四诗品》中提出的一个重要的审美标准,成为中国传统美学体系的一个重要的审美范畴。二人转不是诗,却也是诗化了的艺术。为此,我们以“疏野”为审美标准来研究二人转的艺术风格,是很有意义的。 “Sparseness of Field” is an important aesthetic standard proposed by Sida Kongtu, the great theorist in Chinese history of poetry, in “Twenty-Four Poems and Articles” and has become an important aesthetic category of China’s traditional aesthetic system. Two people is not a poem, but also poetic art. For this reason, it is significant for us to study the artistic style of the duo through “alienation” as the aesthetic standard.