《艺术与投资》:由于市场不大和上拍数量微乎其微,版画往往像一个旁听生一样被拍卖行随便地塞进中国书画、古籍善本或者西画专场,没有固定的座位。据报道,从2003年至今全国大概只有两三场拍卖会设置过版画专场。您怎么看待版画在中国艺术品市场的尴尬地位?出现这个状况的根源是什么? Art and Investment: Because the market is small and the number of shots is negligible, prints are often inserted into Chinese painting and calligraphy, rare books or Western paintings exclusively by auction houses, as an attendance student, with no fixed seats. It has been reported that only about two or three auctions have been set up for printmaking in China since 2003. What do you think about the awkward position of printmaking in the Chinese art market? What is the root cause of this situation?