本文从宏大的历史潮流中去观察和追寻楚文化漆器设计思想。虽然设计常常以形式语言来显现,但是它的内核有着深刻的精神和价值取向,这种精神和价值取向决定着诸如人与自然、人与人以及人与产品的基本判断,而且这种基本判断在文化上显得比较固定。从楚文化漆器中我们也很容易窥探到“飞扬流动”的审美思想,这就为我们在从事设计工作时提供了一种民族的基本的文化范式,从而使我们获得了有别于他人的特殊品性,把我们与民族久远的传统连接起来,使我们感觉到自己是一棵有根的大树上长出来的叶子,而不是现代化潮流中的浮萍。 This article from the grand historical trend to observe and pursue Chu culture lacquer design ideas. Although design is often manifested in formal language, its inner core has profound mental and value orientations that determine the basic judgments such as human beings and nature, human beings, people, and products, and such basic judgments Culturally, it seems relatively fixed. From Chu culture lacquerware, we can also easily glimpse into the aesthetic thought of “flying and flowing”, which provides a basic cultural paradigm for our nation when we are engaged in the design work, so that we can get different from others The special qualities that connect us with the long-standing tradition of our nation make us feel like the leaves that grow on a rooted tree, rather than the duckweed in the modern trend.