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中国油画家在引进西方油画的百余年过程中,从最初的学习到不满足于跟在“洋人”身后亦步亦趋,继而开始进行各种实践和试验,不断努力寻求具有本民族审美情趣的绘画表现形式语言。无论是全国大型综合油画画展(包括学术水准较高的专业展),还是仅以谋求新闻效应为主的某些画展,均使人们能感受到中国的油画家已十分重视个人绘画语言的选择、锤炼和创新。本文欲通过对当今国内油画界绘画语言现状的分类来分析隐藏其后的种种创作心态。
During the past hundred years of introducing Western oil paintings, Chinese oil painters began to practice and experimented from initial learning to following behind foreigners. They continued to strive for the performance of paintings with their own national aesthetic taste Formal language. Whether it is a large-scale comprehensive oil painting exhibition (including a professional academic exhibition with a high academic standard) or just some exhibitions that mainly focus on news effects, people can feel that Chinese oil painters have attached great importance to the choice of personal drawing language, Temper and innovate. This article tries to analyze and hide the subsequent creation mentality through the classification of the present state of painting language in the domestic oil painting industry.