陆俨老虽是以画名世,然其书法分量不轻,即便在当代书坛,想找出能与其比肩者,也要很费些神事。陆老对自己功夫有如是分配:四分读书,三分写字,三分画画。他曾记述:“我于书法,所用功夫不下于画画。十四岁开始临帖,初临龙门二十品,中之《魏灵藏》、《杨大眼》和《始平公》,继临《张猛龙》、《朱君山》等碑。 Though Lu Yan is famous for his paintings, his calligraphy is not light in weight. Even in contemporary calligraphy circles, he wants to find out who can stand shoulder to shoulder with him. Lu Lao Kung Fu has its own distribution: one quarter of the study, one third of the writing, one third of the painting. He once wrote: ”I am in the calligraphy, the effort no less than the painting .Fourteen began to temporary posts, the first gantry twenty products, in the“ Wei Lingzang ”,“ Yang big eyes ”and“ beginning flat public ”, following Pro“ Zhang Meng Long ”,“ Zhu Junshan ”monument.