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从某种意义上说,任何形态的审美文化都是不断发展的体系,它们总在更新着一个时代到另一个时代由艺术的思考而产生的问题。随着21世纪的来临,今日的电影美学已经步入空前复杂地交织了多元化因素的关键阶段:在显层面上,真实性与假定性、生活与梦幻、艺术性与娱乐性之类概念依然交错互生,彼此约化;在深层次上,整个电影理论体系则因研究对象及其性质的裂变而日益陷于尴尬之境。原有的美学观念面临着无法诠释种种电影现象的困惑,传统
In a sense, any form of aesthetic culture is a system of continuous development, and they are always updating the problems arising from the thinking of art from one age to another. With the advent of the 21st century, the aesthetics of cinema today has embarked on a crucial stage of diversification interwoven with unprecedented sophistication: concepts such as authenticity and presuppositions, life and dream, artistry and entertainment continue to be interwoven On the other hand, the entire film theory system is increasingly embarrassed by the fission of the object of study and its nature. The original aesthetic concept is confused and traditionally unable to interpret the various cinematic phenomena