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文章围绕对当代西方艺术界“自然古典主义”运动的两个基本原理的反思与批评,信息理论研究认为可能就在无意义的混沌与枯燥的秩序之间——多样与单一之间、复杂与简单之间、变化与稳定之间、文字引语与丰富的编辑编码和归纳之间——存在着美的“甜蜜部位”。生命过程的遗传(艺术史)、变异(性个体世界的个性和创造性)和选择(同事的评价)三要素的结合,就产生了美。美是表征人类的丰富性和独创性的伟大符号。形象表现是通向创新和原创的核心路径,艺术传统学科是一个活生生的演化过程。这个过程是世界的创造力的持续呈现。现代主义的抽象派理论以及后现代理论的形象观是错误的。
Based on the reflection and criticism of the two basic principles of contemporary “Western Movement” of classical art, the study of information theory suggests that it may lie between the meaningless chaos and the boring order - diversity and unity, Between complexity and simplicity, between change and stability, there is a beautiful “sweet spot” between written quotation and rich editing code and induction. The combination of the three elements of the genetic (art history) of life processes, variation (the individuality and creativity of the individual world) and the choice (the evaluation of colleagues) produces beauty. Beauty is a great symbol of the richness and originality of human beings. Image performance is the core path leading to innovation and originality. The traditional arts discipline is a living evolutionary process. This process is a continuous manifestation of the world’s creativity. The abstractist theory of modernism and the outlook on the image of postmodern theory are wrong.