《真我集》因其对五四时代思潮的呼应而具有丰富的审美内涵，并且艺术上一 开始就脱离了旧诗词的气味。闻一多自觉的文学史意识与新诗美学理想的逐步形成是《真 我集》不出版的重要原因。对“真”的追求与对丑恶的发现，以及理性节制情感的风格穿 越《真我集》开始的闻一多整个新诗创作过程，同时，《真我集》与此后创作中的区别也非 常明显。诸多因素使《真我集》构成闻一多诗歌创作一个独立时期即探索期。由此，闻一 多新诗创作呈现出《真我集》期—《红烛》期—《死水》期三个明显不同的阶段。《真 我集》成为闻一多新诗创作的起点，从而也就成为研究的起点。 Because of its echoes of the thought of the May 4th Movement, “True and True” is rich in aesthetic connotation, and the art from the outset of the old poem smell. Wen Yiduo’s Conscious Consciousness of Literary History and the Gradual Formation of the Aesthetic Ideals of the New Poetry are the Important Reasons for the “Zhen Yu Ji Ji” Not to be Published. The whole process of the creation of the new poem, Wen Yiduo, which began with the pursuit of “truth” and the discovery of ugliness, as well as the style of rational temperance in emotions, passed through “True and True”, and at the same time, the distinction between “True and True” and later creation is also obvious . Many factors make “Zhen Yu Ji” constitute an independent period of Wen Yiduo’s poetry creation period. As a result, Wen Yiduo’s new poem creation presents three stages of “true self-collection” - “red candle” period - “dead water” period of three distinct stages. “True and True” has become the starting point of Wen Yiduo’s new poem writing, and thus has become the starting point for the study.