中国的绘画艺术发展到魏晋时期达到了审美自觉,由于社会崇尚玄学而使得老、庄之道热爱自然的风气盛行一时,山水画在这时成熟起来。从其肇始之初就已经和文学、文化的发展纠缠在一起而密不可分。宋代宗炳在《画山水序》中首次提出了“山水以形媚道”之说,即“媚者,悦也”。表明了自然山水和宇宙本体的“道”是一种愉悦的映涵关系。虽然强调的审美观照对象是自然山水,但更重要的是除了得到审美的愉悦之外,进而 Since the development of Chinese painting art to the Wei and Jin dynasties, the aesthetic consciousness has been reached. Since the society advocated metaphysics, the atmosphere of loving nature enjoyed by the old and the Zhuang dynasties prevailed, and the landscape paintings became mature at this time. From its inception, it has been inextricably linked with the development of literature and culture. Song Zongping in the “painting landscape” for the first time put forward “landscape to form Mei Road,” said, “Mei, Yue also ”. This shows that the “Tao” of natural landscape and cosmic ontology is a pleasant reflection. Although the emphasis on aesthetic object is natural landscape, but more importantly, in addition to aesthetic pleasure, then