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我是《中国戏剧》的忠实读者,一个普通的蒙古族戏剧理论工作者,看了贵刊去年9期刊登的《振兴京剧与乱标派别》一文后,颇有所感,对“乱标派别”云云,未敢苟同。谈几点想法,与乔嘉瑞先生商榷。作者可能不太了解内蒙古地区京剧的历史和现状,我长期在内蒙古工作。尤其是在撰写《中国戏曲音乐·内蒙古卷》时于90年代初期曾采录整理京剧部分,现把我知道的情况写出来供参考。
I am a loyal reader of “Chinese drama,” an ordinary Mongolian theatrical theorist. After reading the article entitled “Rejuvenating Peking Opera and Random Religions” published by your magazine last September, So, did not agree. Talk a few ideas, and Qiao Jiarui to discuss. The author may not know much about the history and current situation of Beijing Opera in Inner Mongolia, and I have long worked in Inner Mongolia. Especially when writing the “Chinese Opera Music · Inner Mongolia Volume” in the early 1990s, the part of Beijing Opera was collected and recorded. I now write down the information I know about it.