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近年来,创作界与理论界,对现实主义问题展开了多次讨论和各种意见的交锋。在电影领域内,这也同样是一个值得深入探讨的理论问题。现实主义作为一种创作方法,显然不单纯是某种表现手法和艺术技巧,它是创作者艺术地观照生活所遵循的一种基本态度,贯穿在艺术家从生活积累到艺术构思、艺术表现的全过程。因此,对现实主义内涵的进一步的探讨、理解和科学认识,将有利于中国电影的理论建设和电影创作的具体实践。本期发表的两篇文章,虽观点不尽完善,但提出的一些见解,有助于人们思考问题、讨论问题。
In recent years, both the creative and the theoretical circles have conducted many discussions and opinions on realism. In the field of film, this is also a theoretical issue worth exploring in depth. As a creative method, realism is obviously not merely a kind of expression technique and artistic skill. It is a basic attitude followed by the creator in the artistic life, which runs through the artist’s accumulation of life from artistic conception to artistic expression process. Therefore, to further explore the connotation of realism, understanding and scientific understanding, will be conducive to the theory of Chinese film construction and the concrete practice of film creation. Although two articles published in this issue are not perfect in point of view, some of the opinions put forward can help people think and discuss issues.