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苏珊·桑塔格的《反对阐释》对有意阐明艺术作品中某种阐释符码、某些“规则”的心理行为进行了批判和反思,她提出应该更多的关注艺术中的形式,而不是过度地强调内容,对文本也应该做形式分析而非内容分析。博尔赫斯的《另一次死亡》可以看作是文学实践中对《反对阐释》的一个呼应,它以其自身独特的结构,设置了许多反阐释的障碍,使得小说更具魅力,其意义也更加多元化。桑塔格的理论和博尔赫斯的实践共同消解了传统的对艺术内容进行阐释的理念,而指向对艺术作品的形式分析。
Susan Sontag’s “Opposition Interpretation” criticizes and reflects on the intentional elucidation of certain interpretations of codes and certain “rules” in her works of art. She argues that more attention should be paid to the forms in art Rather than overemphasize the content, the text should also be a formal analysis rather than a content analysis. Borges’s “Another Death” can be seen as a response to “Opposition Interpretation” in literary practice. With its own unique structure, Borges set many obstacles to anti-interpretation and made the novel more attractive. Also more diversified. Sontag’s theory and Borges’s practice together resolve the traditional concept of interpreting the content of art and point to the formal analysis of works of art.