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余友涵是一位纯粹的画家。自20世纪60年代至今,他不间断地创作了近50年,以绘画为唯一手段,展开对自我、美术史以及时代的反思。在风格题材方面,其作品经历了从抽象到波普,再到风景创作,现今又回归抽象的发展轮回……1981年,余友涵便开始了他最早的抽象作品创作,如《黑与白第一号》、《紫色的图腾》及《缓慢移动》。至1985年,余友涵“圆”系列的完成,标志着其抽象作品风格的形成。这些作品中重复的圆点,以一定秩序排列的线条和不规则的色块,在不同的排列组合下形成了单纯的审美乐趣。在他此后的创作中,这种单纯同时生发出丰富的形式意味,我们在随意的、自动的、滴洒的表现中看到现代抽象表现主义的某些经验;同时,这种交融、流动和渗化的意境,似乎也暗合了中国传统文化中“道”的概念。而从80年代末至1990年,艺术家却从超脱世俗的状态抽身,进入另一个截然不同的创
Yu You Han is a pure painter. Since the 1960s till now, he has been writing for nearly 50 years without interruption, using painting as the sole means to start his reflection on self, art history and the times. In the theme of genre, his works have gone from abstract to pop, to landscape creation, and now they are returning to the abstract development of reincarnation ... In 1981, Yu Youhan began his earliest creation of abstract works such as “Black and White First Number, Purple Totem and Slow Move. By 1985, the completion of Yu Youhan’s ”Round“ series marked the formation of abstract works. The repeating dots, the lines arranged in a certain order and the irregular color patches in these works form a pure aesthetic pleasure under different permutations and combinations. In his later works, this simple, simultaneous appearance of rich forms means that we see some of the experiences of modern abstract expressionism in random, automatic, sprinkling manifestations; at the same time, this blending, The infiltration mood seems to coincide with the concept of ”Tao" in Chinese traditional culture. From the late 1980s to 1990, however, the artist pulled away from the secular state and entered another completely different creation