我的楷书学习可以归纳为三个阶段。第一阶段,是对颜真卿的《多宝塔碑》和褚遂良的《大字阴符经》的学习。这一阶段,大概是从1980年到1986年。用将近5年的时间认识唐楷的基本笔法,当时对《多宝塔碑》的学习可以说完全达到了很深入的一个层面,这一阶段的学习为我的书写能力奠基了基础。接下来,是以魏碑为对象展开的学习。先是《龙门二十品》,然后是《爨宝子碑》《爨龙颜碑》,最后是《张猛龙碑》《张黑女墓志》,从唐楷上溯北魏,遵循的是一个传统的学书思路,所谓穷源尽流。20世纪80年代,我有一段 My regular script learning can be summarized in three stages. The first stage is the study of Yan Zhenqing’s “multi-pagoda monument” and Chu Suiliang’s “Yin Yin Classics”. This stage, probably from 1980 to 1986. It took nearly five years to understand Tang Kai’s basic techniques. At that time, the study of “Duobaite Monument” reached a very profound level. The study at this stage laid the foundation for my ability to write. Next, we learn about Weibei. The first is the “Longmen 20 products”, then the “Baobu monument”, “Long Yan Yan monument”, and finally “Zhang Meng Long Monument” “Zhang black female epitaphs”, trace back to Northern Wei from Tang Kai, followed is a traditional school book Train of thought, the so-called poor source of all. Nineteen eighties, I have a period