师陀于1936年来到上海,自此他的创作便与上海租界有了千丝万缕的联系。租界促发了他想象,建构怀乡抒写的可能,在对故乡进行留恋的同时,对照城市的现代化进程,又对其落后愚昧进行批判。无论是以城市为对照对乡土进行理性批判,还是正面对城市的真实情况进行抗拒式的批判,其叙事都沾染了租界里的文化气质。本文将对此进行具体阐释。 Shi Tuo came to Shanghai in 1936, and since then he has had an inextricable connection with the Shanghai concession. The concession prompted him to imagine and construct the possibility of nostalgia in his hometown. While he was nostalgia for his hometown, he criticized the backwardness and ignorance of the city in accordance with the modernization of the city. No matter whether the city is a comparative criticism of the local culture, or whether it is a positive criticism of the real situation of the city, its narration is contaminated with the cultural connotation in the concession. This article will explain this in detail.