20世纪30年代，对于中国报告文学而言具有特殊“创世”意味。经由“左联”努力，此期完成了“报告文学”的概念引进、边界框定、主题阐释和三大具有“原型”特征的递进式文本创作路径。鲁迅的介入，尤使30年代报告文学写作拥有了某种“神话”色彩。从总体生成的历史文化背景上看，30年代“报告”思维更多地表达了报告文学的原始生命情态和更趋本真的价值追求，因而创造性地开启了我国报告文学的话语方式和表现范围，推动了此后报告文学的发展。 In the 1930s, it had a special “creation” meaning for Chinese reportage. Through the efforts of the “Leftist” Federation, the concept introduction of Reportage, the definition of the boundary, the theme explanation and the progressive text creation path of the three “prototypes” were completed during this period. The intervention of Lu Xun, especially the reportage in the 1930s, possessed some kind of “mythical” color. From the overall historical and cultural backgrounds, the thinking of the report in the 1930s more thanked the reportage’s primitive lifestyles and the more genuine pursuit of value, thus creatively opening up the discourse style and scope of our reportage , Promoted the development of reportage since then.