曹建:如果说技法的老练是作品成功必然的话,那么创作时的技法选择则是成就单件作品风格的偶然因素。素面示人的纸张与四条屏的选择,为作品的轻松表达提供了条件。可以想见,在刚田先生的书房内,一个非常平的日子里,不经意地或者说没有多少“创作识”诞生了这件作品。这与当下许多书法家的所谓“创作意识”的强行表达有着许多不同。在书写之中 Cao Jian: If you say the skill is the inevitable success of the work, then the choice of skills at the time of creation is a single piece of work style of achievement of the accidental factors. Plain display of the human paper and the choice of four screens for the ease of expression provided the conditions. Can imagine, in Mr. Gang Tian’s study, an extraordinary day, inadvertently or not much “Creative knowledge ” was born this piece. There are many differences between the current calligraphy and the so-called “creative consciousness” of many calligraphers. In writing