“绘画已经死亡,而艺术则没有。”迪里克.雅曼(Derek Jarman)在影片《朱比莉》(Jubilee)中通过一个艺术家表达了她对绘画的行为以及传统绘画那根深蒂固而难以改变的方式的焦虑心情时所说的一段台词,这部倍受争议的影片是20世纪70年代那种思潮的精华体现,它具体表达了那个年代人们对“绘画已经死亡”的焦虑感觉。而80年代人们好像主要是在为艺术而工作,因而,绘画从原始点出发(有如史前动物在人类诞生之前漫步在原始荒野的情景)至《临摹者》(COPYIST,[西格玛.朴克1979年所画的生殖图像之名] “Painting is dead, but art is not. ” Derek Jarman expressed in the movie Jubilee an expression of her behavior toward painting and the deep-rooted and difficult to change of traditional painting The controversial film was the epitome of the kind of trend of thought of the 1970s. It specifically expressed the anxiety that people had of “drawing death” in that era. While in the 1980s people seemed to be mainly working for the arts, the paintings proceeded from the original point (as the prehistoric animals strolled through the primitive wilderness before the birth of mankind) to the “copycat” (COPYIST, The name of the reproductive image painted]