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收藏明清书画,必须了解古书画的作伪手法,以助真伪的鉴别。明清之际,随着商品经济的萌芽和发展,书画作品的市场也颇为看好。为了获取暴利,书画造假之风猖獗,并有许多造假基地。通常所说的有“苏州片子”、“开封货”、“后门造”“长沙装”等等;这苏州片多画吴门派,仇英风格总是隐于其中;潍县多仿郑板桥,开封货多取忠臣、孝子、烈女、包公等题材,后门造多系“臣”字款,以造郎世宁、钱维城等宫廷画为多,而假何绍基多出湖南等,这
Collection of calligraphy and painting in the Ming and Qing dynasties, we must understand the ancient calligraphy and painting techniques to help identify authenticity. On the occasion of the Ming and Qing Dynasties, with the sprouting and development of the commodity economy, the market of calligraphy and painting was rather optimistic. In order to obtain huge profits, the winds of painting and faking are rampant and there are many bases for counterfeiting. The so-called “Suzhou film”, “Kaifeng goods”, “back door made” “Changsha equipment” and so on; this Suzhou film more Wu school, Qiuying style is always hidden in them; Weixian more imitation Zheng Banqiao, Kaifeng goods Take more loyal, filial piety, heroine, Bao Gong and other subjects, the back door to create more department “minister” characters, to make Cunningham, Qian Weicheng and other court paintings as much, and false Husike more Hunan, etc.