仇英传世花卉作品稀少,为项元汴所画《水仙蜡梅》是其中的代表作品。关于仇英画作的作伪从明末以来从未间断。仇英《水仙蜡梅》在历史的传承中一直和项元汴产生关联,或许也由于这一原因,而不断地产生伪本。相比于沈周、文徵明,仇英画作的技术门槛要求更高,画作的风格、品质也因此要达到更高的水准才能去充当伪作。这在一定程度上便于我们去识别仇英传世画作的真伪。 Chou Ying passed away few flower works, as Yuan Yuan 汴 drew “Narcissus wax plum” is one of the representative works. The hatefulness of the Qiuying paintings has never stopped since the end of the Ming Dynasty. Chou Ying “Narcissus wax plum” in the history of inheritance has always been associated with the Yuan Yuan, perhaps because of this reason, and constantly produce counterfeit. Compared with Shen Zhou, Wen Zhengming and Qiuying have higher technical thresholds and the style and quality of paintings have to reach a higher standard before they can be used as counterfeit works. To a certain extent, this helps us to identify the authenticity of the paintings handed down by Qiu Ying.