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《玛依·莱斯科》的创作成功,标志着普契尼歌剧创作风格已经形成。其主要标志:以表现女性主角行为、思想意志为剧情发展脉络,形成美丽、热情的社会底层小人物中的女性形象的创作基调;音乐既抒情又富有戏剧性,以优美音乐刻画人物形象;突破宣叙调和咏叹调的界限,声乐演唱综合了歌唱性和朗诵性音调。普契尼的歌剧中女性主角形象自玛侬之后均具备追求幸福、纯朴善良、爱情至上的群体特征,其音乐魅力基本来自对女性美脆弱的哀叹。
The success of “Mayi Lesko” marks the formation of the style of Puccini opera. Its main symbols: the performance of the female lead act, the ideological will for the plot development context, the formation of the beautiful, passionate little figure in the bottom of the social creation of the female image; music is lyrical and dramatic, with beautiful music depicting the character image; breakthroughs in recitative Reconcile the boundaries of aria, vocal singing synthesizes singing and reciting tone. Puccini’s opera heroine image has the pursuit of happiness, simple kindness, love supremacy group characteristics since the Manon, the charm of its music from the basic fragile lament on women.