作为革命时期成长起来的艺术家,秦征的艺术生涯早在抗战时期就已展开,他以木刻为载体,宣传抗日,宣传革命,留下影响深广的作品;作为在新中国成立后成熟起来的油画家,秦征通过马克西莫夫油训班的学习,在绘画技法上为日后奠定了坚实基础,毕业创作《家》更因其深沉的构思不仅成为他本人的代表作品,也成为美术史上的经典。之后由于时代变故和个人际遇,秦征的艺术创作遭遇波折。当如今我们把视点置于秦征在“文革”结束后的大批油画风景创作,会发现其艺术语言和表现形式相较以往有了明显的转变,本文就旨在通过对这一时期作品的简要评介,分析艺术家风格 As an artist who grew up during the revolutionary period, Qin Zheng started his artistic career as early as during the War of Resistance Against Japan. Using woodcut as a vehicle, he advocated anti-Japanese and propaganda revolutions and left deep-seated works. As an oil painting that matured after the founding of New China, At home, Qin Zheng, through Maxinem’s oil-training classes, laid a solid foundation for his painting techniques in the future. Gradually creating his “home” not only became his own representative work but also became a part of his art history classic. Later, due to the changes of the times and personal encounters, Qin Zheng’s art creation experienced twists and turns. Nowadays, when we place a great deal of emphasis on the creation of a large number of oil paintings after the end of the “Cultural Revolution” by Qin Zheng, we find that the artistic language and expressions have obviously changed from the past. This article aims to analyze the works of this period A brief review of the artist’s style