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本文主要是对欧洲印象主义音乐家德彪西的《钢琴前奏曲》中对于力度风格的演绎进行分析。文章先对德彪西在《钢琴前奏曲》中的力度风格进行整体分析,随后分析了德彪西在《钢琴前奏曲》中力度风格和声音特色之间的联系,最后分别从对于声部与声部之间的力度层次性的处理、对力度细节呈现的强化等方面,对《钢琴前奏曲》中力度风格的演绎特色进行思考和探究,并且对德彪西在《钢琴前奏曲》中力度风格演绎的艺术价值作出简要的解析。
This article mainly analyzes the deduction of the intensity style in Debussy’s “Piano Prelude” of the European impressionist musician. The article first analyzes the style of Debussy in “Piano Prelude”, and then analyzes the connection between Debussy’s intensity style and sound features in Piano Prelude. At last, The intensity of the part between the handling of the hierarchy, the intensity of the details of the enhancement and so on, the “Prelude to Piano” in the style of the deductive characteristics of thinking and exploration, and Debussy in the “Piano Prelude” in the intensity Style interpretation of the artistic value to make a brief analysis.