前年初冬,袁修钧教授赠我以新著《晚耕小集》,且嘱予评论。我未敢品评,惶惶至今,没有动笔。迁延两年之久,有负所托,以致悚愧难安,故作此文以谢。袁教授谦逊平和,有君子之风,但偶尔也难免书生意气。其诗词作品,周正通畅,温文尔雅,然有时也难免慷慨激昂。其诗,其词,确乎一如其人。他的作品给我的印象就是和顺中正,不偏不倚。然而,他的七言绝句却在这种和顺中正的背后,有着别样的儒雅与童真,因而具有别样的审美情趣。 Before the winter of the previous year, Professor Yuan Xiujun presented me with a new book, “Evening Gowns,” and commented. I did not dare to comment, panic so far, did not work. Prolonged for two years, there is negative entrusted, so frightened, so make this article to thank. Professor Yuan is modest and gentle with a gentleman’s style, but occasionally scholarly student spirits. His poetry works, Zhou is smooth, gentle, but sometimes also inevitably impassioned. Its poetry, its words, indeed, as people. His impression to me is that Hsuan shun is fair and impartial. However, his seven-character quatrains, however, have a different kind of elegance and childlike innocence behind this Hsun Chung-cheng and therefore have a different kind of aesthetic taste.