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艺术的坐标在于我们自己的立足点,在于如何观看世界,如何观看我们自己。绘画中,艺术是质疑与笃定、无意与专注、激情与理性、有限与超越、具体与抽象等矛盾的两极与各种介质的交织。但恰是这些矛盾的两极,最终以某种视觉形式上的对比在我们心灵中刻下一个个和谐的弧形,并以悖论的形式供给我们一种思想的方式。绘画是我们对待这个世界的一种态度:在生活中逃遁生活,在具体中与具体决裂,在有逻辑的现实中制造并不精确的自由,在抽象中找寻更
The coordinates of art lies in our own standpoint, how to watch the world, how to watch ourselves. In painting, art interrogates the poles and mediums of contradictions such as confusion, unintentional and concentration, passion and reason, limitedness and transcendence, concreteness and abstraction. But it is precisely the poles of these conflicts that ultimately give us a way of thinking in a paradoxical form by carving a harmonious arc in our minds in some kind of visual formal comparison. Painting is our attitude toward the world: escaping life in life, breaking concrete and concrete, creating imprecise freedom in logical reality, finding more in abstract