民歌是一面镜子,它真实反映了阶级矛盾和劳动人民多方面的生活。民歌发展到今天,不论是改编创作还是二度创作,都逐渐体现出专业化、潮流化等特点,从而也出现了“新民歌”的说法。这都是历史发展的必然。然而新民歌由于本色流失也遭到了舆论的质疑和批驳,因此,如何保持新民歌共性与个性共存成为了值得共同关注和思考的问题。 Folk songs are a mirror, which truly reflects the class contradictions and the multifaceted life of the working people. Nowadays, when folk songs are developed, whether they are adaptations or second-degree creations, they all gradually show their specialization and tidal current characteristics. Thus, the phrase “new folk songs” has also emerged. All this is an inevitable result of historical development. However, due to the loss of character, the new folk songs have also been questioned and criticized by the media. Therefore, how to keep the commonness and individuality of the new folk songs has become a problem worthy of common attention and reflection.