中国传统音乐宫调之争,沸沸扬扬,旷日持久。争论者各持理论,虽然其间也不乏以个人敏锐的感觉为主要依据的——姑妄名之——“感觉派”。同一曲调的宫调分析,不同的理论会得出不同的结论。“殊途”而不能“同归”,说明这形形色色的理论当中,必有真、伪。扬汤止沸,不如釜底抽薪。笔者认为,与其长期纠缠于某一具体曲调,不如把这些理论放到 Chinese traditional palace tone dispute, uproar, protracted. Arguments hold different theories, although there is no lack of personal sensitivity based on the main - Guyado name - “Feeling School.” The same tone of the palace transfer analysis, different theories will come to different conclusions. “Different Routes” can not “go back to the same”, indicating that there must be true or false among these various theories. Yang Tang stop boiling, it is better to draw. I believe that, rather than long-term struggle with a particular tune, it is better to put these theories into