“中国传统儿童文学作品中已知的东西太多,未知的东西太少。作品中总在重复老师、家长说过的话,孩子就会觉得索然无味;中国童话创作,如果仅仅是跟在教辅后面爬行,它永远也飞不起来;要把孩子从外国卡通作品和网络中吸引过来,儿童文学急需增加想象力,增强奇幻性。我要写一种儿童喜欢读,成人也爱不释手的童话”。不断有新作品问世。连续三次获国家级儿童文学大奖的郑允钦,被业内人士称为“童话国手”。 “There are too many things known in Chinese traditional children’s literature and there are not enough things unknown, so there are always many repetitions of teachers and parents in their works, and children will feel dull and boring. Crawling back, it will never fly; to draw children from foreign cartoon works and networks, children’s literature is urgently needed to increase the imagination and enhance the fantasy .I want to write a fairy tale that children like to read and adults also put it down. ” There are new works coming out. Zheng Yunqin, winner of the National Children’s Literature Award for three times in a row, has been called the “nationalist fairy tale” by industry insiders.