一九八一年五月,中国书协成立,同年十二月二十三日,中国书协召开常务理事会,决定成立《中国书法》编委会,启功先生,陈叔亮先生分别任正副主编,王景芬先生为编辑部主任。自此三十余年来,《中国书法》不仅刊登了大量古代名碑法帖、历代书家研究文章,并与当代书法结下了不解之缘:它记录了近三十年书坛发生的一切重大事件,介绍了当今数代代表性书家,刊载了数以千计涉及书法美学、史学及书法本体等多方面的论文、评论,尽管其间因数次主持者的更迭,质量上有所起伏,但它一直以当代中国书法界最具权威的国家级核心期刊,见证了三十年来中国书法发展的轨迹,在审美及舆论上主导着当代书坛大的走向,为整个书法界连续数十年提供了及其丰富的文化 In May 1981, the China Association for the Publishing of Chinese Calligraphy was established. On December 23 of the same year, the China Association of Calligraphers held a standing council and decided to set up the Editorial Board of “Chinese Calligraphy”. Mr. Qigong and Mr. Chen Shuliang respectively served as chief editor and deputy editor , Mr. Wang Jingfen editorial director. For more than thirty years, “Chinese calligraphy” has not only published a large number of ancient Buddhist tablets, the ancient books of calligraphers and essays, and has formed an indissoluble bond with contemporary calligraphy: it records nearly thirty years of book writing All major events introduced the contemporary representative book writers and published thousands of papers and commentary on the subjects of calligraphy aesthetics, historiography and calligraphy on the whole. Although there were ups and downs in quality due to the change of moderators in the meantime , But it has been witnessing the track of the development of Chinese calligraphy for thirty years in the most authoritative state-level core journals in contemporary Chinese calligraphy circles. It has led the trend of contemporary calligraphy circles in the aesthetic and public opinion, Years provide its rich culture