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民间美术的挖掘和开发是20世纪中国美术的重要现象之一。黄土高原地区的陕北剪纸,由于其独特的历史地位而备受关注,形成了一时独领风骚的局面。陕北新剪纸创作经历了新时期文化因素的影响,不可避免地区别于传统意义上的民间美术。文章阐述了20世纪80年代后期,受西方现代美术思潮影响的陕北新剪纸创作,指出陕北新剪纸在现代中国美术史和文化史中占有特殊地位。
The excavation and development of folk art is one of the important phenomena of Chinese art in the 20th century. Because of its unique historical status, paper-cutting in northern Shaanxi in the Loess Plateau has drawn much attention and formed a unique situation. The new paper-cut creations in northern Shaanxi have experienced the influence of the cultural factors in the new era and are inevitably distinguished from the folk art in the traditional sense. The article expounds the new paper-cut creation in Northern Shaanxi influenced by the Western modern art thoughts in the late 1980s, pointing out that the new paper-cutting in northern Shaanxi occupies a special position in the history of Chinese fine arts and culture.