“民族文化学”是在20世纪80年代中期中国本土出现的“文化热”中孕育出来的学科,其学科理论构架的奠基与基本形成发生在20世纪90年代。如果以1992年潘定智教授的《民族文化学》正式付梓作为学科草创的标志,以1998年张文勋、黄泽教授等主编的《民族文化学》出版作为其基本形成的标志,《民族文化学》学科理论建设只经历了十年左右的时间。此后,在学科框架之内的理论建设几乎湮灭无闻。 “Ethnomusicology” is a discipline bred in the “cultural hotness” appearing in the Chinese mainland in the mid-1980s. The foundation and basic formation of its academic theoretical framework took place in the 1990s. If the “National Culture” of Professor Pan Dingzhi was formally proclaimed in 1992 as the symbol of discipline creation, the publication of “National Culture Studies” edited by Zhang Wenxun and Professor Huang Ze in 1998 as the symbol of its basic formation, and “Ethnic Culture Studies” Theory construction has only gone through about ten years. Since then, the theoretical construction within the disciplinary framework has been almost oblivious.