论文部分内容阅读
本文以《中國書法史繹》的寫作模式爲切入點,從書史研究的歷史背景、研究方法、觀念演變等方面闡述書法史的寫作模式應該突破以史料考據爲中心的學術路徑,突出追求史料背後所凸顯的觀念史意義,從而形成藝術史寫作的新模式,進而對藝術史的視覺含義和風格形態做出闡釋與歸類,使書法史成爲一門開放多元的現代人文學科。
Based on the writing mode of “Historical Records of Chinese Calligraphy”, this article elaborates the writing mode of calligraphy history from the historical background, research methods and conceptual evolution of the book history research. It should break through the academic path centered on the historical data and textual research, The significance of the concept of history which is highlighted behind, thus forming a new model of art history writing, and then interpreting and classifying the visual meaning and style of art history, making the history of calligraphy an open and diverse modern humanities.