仿生设计学,亦可称之为设计仿生学(Design Bionics),它是在仿生学和设计学的基础上发展起来的一门新兴边缘学科。它以自然界万事万物的“形”、“色”、“音”、“功能”、“结构”等为研究对象,有选择地在设计过程中应用这些特征原理进行的设计,同时结合仿生学的研究成果,为设计提供新的思想、新的原理、新的方法和新的途径。在建筑领域,仿生设计成功的例子比比皆是,从北京“鸟巢”在建筑结构上的形态仿生,再至勒·柯布西耶“郎香教堂”近似“听觉器官”的意蕴符号,仿生设计给建筑设计带来了全新的阐释。反观室内设 Bionic Design, also called Design Bionics, is an emerging edge subject developed on the basis of bionics and design. It takes the nature of all things as the object of study, and selectively applies these features in the design process, including “”, “color”, “tone”, “function”, “structure” Principle of design, combined with the bionics research results for the design to provide new ideas, new principles, new methods and new ways. In the field of architecture, the successful examples of bionics design abound, from the “Bird’s Nest” on the architectural form of the bionic, to Le Corbusier “Langxiang Church ” approximation "auditory organ The meaning of symbols, bionic design has brought a new interpretation of architectural design. The other hand, indoor design