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本文以国际比较为参照系，从中西诗歌理论渊源契合的视角，考察了意象与《圣经》诗歌的总体关系、意象的本义和起源，中国和日本的物象诗和西方诗歌史中的意象派。最后从比较研究中寻觅了意象的当前启迪，指陈了中国诗学对意象学说的独特贡献，并探索了中西方诗学机制的互动交合状态。
This article, taking the international comparison as the reference system, examines the overall relationship between the image and the Bible, the original meaning and origin of the image, the object-oriented poetry in China and Japan and the imagery in the history of western poetry from the perspective of the origins of Chinese and Western poetry. At last, the current enlightenment of searching for images from the comparative study refers to the unique contribution of Chinese poetics to image theory and explores the interaction and intercourse state of Chinese and western poetic mechanisms.