中国是一个有着数千年文明历史的国家,其丰富多彩的雕塑艺迹在世界艺坛向来占有公认的一席之地。从原始拟形器创作到现代雕塑艺术,是后人永远学不完,取不尽的创作源泉。 我出生于石雕之乡——福建莆田的一个石雕艺术世家,自15岁开始学习石雕工艺以来,我就认为只有认真学习祖先传授下来的传统艺术,才谈得上有所创新和进取。于是,我从进莆田工艺一厂学习雕刻艺术开始,就时刻不忘刻苦学习,潜心钻研,从对作品的内涵分析到材料的选取等方面深入思考、分析、形成了自己对石雕艺术的独特见解。1996年,我与哥哥朱伯雄采用花岗石,共同设计及制作了一尊高达15米的大型《清水祖师》石 China is a country with a history of thousands of years of civilization. Its colorful and colorful sculpture art has always enjoyed a recognized place in the art world. From the original toaster creation to modern sculpture art, it is an inexhaustible source of creativity that future generations will never learn. I was born in the hometown of stone carving - a stone carving art family in Putian, Fujian Province. Since I was 15 years old, I learned that I had to innovate and make progress only if I conscientiously studied the traditional art taught by my ancestors. So, I learned from the first plant in Putian carving art began, we always forget to study hard, painstaking research, from the connotation of the work to the material selection and other aspects of thinking, analysis, formed his own unique views on the art of stone carving . In 1996, my brother Zhu Boxiong used granite to jointly design and produce a large “Shui Shui Patriarch” stone of up to 15 meters