上海对比窗艺廊Contrasts Gallery,Shanghai2010.10.10～2010.11.11好久没有这样的感觉了,进到一个展览,在没看到那些“意味深长”的评论和没听到那些“循循善诱”的解释之前,我的注意力就本能的被作品吸引了。直面邵帆的作品,既感受不到他作为艺术家主观意识的彰显,也没有存在于任何历史语境的征兆,目光反复停留的节点也是集中在对他绘画手法技艺的观察与体味中。邵帆给审美的定义是限制艺术家主观空间膨胀,使艺术成为艺术家和自然融为一体的美学载体。他并没有在艺术表现中 Contrasts Gallery, Shanghai2010.10.10 ~ 2010.11.11 After a long absence, I went to an exhibition without noticing those “meaningful ” comments and I did not hear those Before the explanation, my attention was instinctively drawn to the work. Facing Shao Fan’s works, he can neither feel his subjective consciousness as an artist nor sign any historical context. The focus of his stay is also on the observation and taste of his art of painting. Shao Fan’s definition of aesthetics is to limit the artist’s subjective space expansion, so that art becomes the aesthetic carrier of artist and nature. He is not in artistic expression