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2008年12月12日,我馆研究员王其祎赴宝鸡应邀为宝鸡文理学院中文系学生做专题学术报告,报告以《汉隶风采与唐楷英华——西安碑林书法艺术撷珍》为题,主要讲述了书体流变的主脉——篆、隶、草、行、楷五体的递擅,其中着重介绍了汉隶的主要风格类型及代表碑刻,如婉约的《曹全》、豪放的《张迁》、飘逸的《石门》,并举例强调了更趋艺术化、文人化、标准化的东汉“八分”、生命力渐衰的两晋隶书、退出主流书体的南北朝隶书和以唐代“开元体”为代表的隶书的回光。又着重介绍了楷书中
On December 12, 2008, our researcher Wang Qishi went to Baoji to be invited to make a special academic report for the students of Chinese Department of Baoji University of Arts and Sciences. The report is entitled “Han Li Style and Tang Kai Ying Hua - Calligraphy of Calligraphy in Xi’an.” Tells the main body of the change of the book style - Zhuan, Li, Cao, Xing, Kai five principles of good and bad, which focuses on the main style of Han Li and representative inscriptions, such as graceful “Cao Quan”, bold “ Zhang Qian ”and the elegant“ Shihmen ”. The examples also emphasize the more and more artistic, literati and standardized Eastern Han Dynasty“ Eight Points ”, the decline of the vitality of the two official dynasties, withdraw from the mainstream of the Southern and Northern Dynasties official script and the Tang Dynasty “Kaiyuan ” as the representative of the official script back light. Also introduced in regular script