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作为政治话语与美学理论相结合的概念,人民美学是“十七年”文艺的一种审美追求,是马克思主义美学理论在文艺领域的实践,它以人民大众的审美追求为本位,视人民大众为表现对象和审美主体,呈现鲜明的“人民性”价值取向。作为时代的强音,人民美学试图把散乱的个体整合到想象共同体中,强调个体对共同体的服从,“十七年”文艺不是作为体制力量的对立面,而是以尊崇人民美学的价值取向传达普通民众的情感和审美经验,而成为一种肯定性力量,在凸显“崇高”中,生成了“政治正确”与审美合理性之间的矛盾。
As a combination of political discourse and aesthetic theory, people’s aesthetics is an aesthetic pursuit of literature and art in the “Seventeen Years” period. It is the practice of Marxist aesthetics theory in the field of literature and art. Based on the people’s aesthetic pursuit, The people as the performance of objects and aesthetic subjects, showing a clear “people ” value orientation. As the strong voice of the times, people’s aesthetics tries to integrate scattered individuals into the community of imagination and emphasize the individual’s obedience to the community. “Literature and art for the 17 years” is not the antithesis of the institutional forces but the value orientation of resisting people’s aesthetics To convey the ordinary people’s feelings and aesthetic experience, and become a positive force, in highlighting “sublime ”, generated a “political correct ” and the aesthetic rationality of the contradiction between.