封杰:京剧马派艺术自形成以来,一直令内外行痴迷,犹如一棵菊坛的常青树。人们在学习马派艺术的同时,更为马连良先生为京剧奉献的精神而感动。马先生在当时谭派为主流艺术的环境下,兼收其他艺术风格,逐渐形成了具有自己风格的表演体系——潇洒飘逸、俏丽隽永的马派艺术。今年适逢马连良先生从艺100周年,北京京剧界连续举办了座谈会、演唱会,并出版了《京剧大师马连良》画册,较全面地记录了马连良先生的艺术生涯。为使更多的读者了解到马连良先生的艺术风采,本期“沙龙”特请来马先生的弟子、亲 Feng Jie: Beijing Opera Mafi art since its inception, has been obsessed with both inside and outside, like an evergreen tree Ju Tan. While learning the art of horse culture, people are more touched by the spirits of Mr. Ma Lianliang for his contribution to Beijing Opera. Under the prevailing art of Tan School as a mainstream art, Mr. Ma gradually formed his own performance system - a graceful and elegant horse-drawn martial art. This year coincides with the 100th anniversary of Mr. Ma Lianliang’s 100th Anniversary. Beijing Peking Opera Circle held a series of seminars and concerts and published a book entitled “Peking Opera Master Marian Liang”, which comprehensively recorded Mr. Ma Lianliang’s artistic career. In order to make more readers understand Mr. Ma Lianliang’s artistic style, this issue “Sharon ” specially invited to Mr. Ma’s disciples, pro