我们都在期待着艺术大家的出现,但是我们常常不明白,现在缺少的首先不是大家式的作品,而是大家式的创作状态。有了一往无前的奔涌,自然会产生黄河、长江。这是余秋雨评价魏明伦的一段文字,我以为同样适合桑建国。第一次接触桑建国,是近距离看他的作品。那是在江苏美术馆看一个综合性的回顾展,其中就有他那颗参加大展的《驰骋的心》以及那位让男人垂涎的《少妇》。除了尺幅比较大,题材都很贴近现实并具有鲜明的现代元素外,这是两幅整体效果、色彩、场面和意境有很多不同的作品。于是我揣测,桑建国应该是怎样一个画家?第二次接触桑建国,是道听途说。那是在和 We are all looking forward to the emergence of the great masters of the arts. However, we often fail to understand that the first thing we lack now is not a masterpiece, but an all-encompassing creation. With the unprecedented rush, it will naturally produce the Yellow River and the Yangtze River. This is Yu Qiu-Wei Wei Minglun paragraph of a comment, I think the same for Sang Jianguo. The first contact with Sang Jianguo, is close look at his work. It was a comprehensive retrospective at the Jiangsu Art Museum, where he had his “Gallop’s Heart” participating in the exhibition and the “young woman” who coveted the man. In addition to the large size, the theme is very close to the reality and has a distinctive modern elements, which are two overall effects, color, scene and mood have a lot of different works. So I speculated that Sang Jianguo should be an artist? The second contact with Sang Jianguo, hearsay. That’s in harmony