沈鹏:现在我们看到的张海,趋向丰富与多样。说丰富,主要指作品内涵不拘限于某家某派某种风味;说多样,主要指张海掌握了多种书体。在他那里,为学的“三种境界”始终是螺旋式地上升着进入更高层次。张海最为人熟悉的隶书的面貌是他“众里寻他千百度”得来的,这些年来又继续寻找到了许多新感觉,取得令他与观者一起为之欣喜的收获。倘若观者不限于“先声夺人”的定见,他那近三二年来的若干行草书新作水平,实际上 Shen Peng: Zhang Hai we see now, tend to be rich and diverse. Said rich, mainly refers to the content of the work is not limited to a particular flavor of a certain school; to say diverse, mainly refers to a variety of Zhang Hai book body. In him, the “Three Realms” for learning has always been spiraling into a higher level. The face of Zhang’s most familiar official script was that he had “sought him in all his splendor” and continued to find many new feelings over the years and achieved the rewards he and his audience enjoyed together. If the viewer is not confined to the preconceived ideas, some of his new cursive titles in the past three or two years actually