大足石刻千手观音造像抢救性保护修复是一项极其复杂的工程,我一下子想不出比它难度更大的石质文物修复项目。难度体现在两个方面:一是造像本身的结构,二是造像的色彩。就结构而言,830只手臂和数不清的手指,都突破了浮雕的局限,已属典型的圆雕。也就是说,造像在各个细节上与空气的实际接触面积远远超乎我们的想象,使得它比大足石刻其他造像遭受的环境威胁更大。石质胎体被历代修缮所贴的多层金 Dazu Rock Avalokitesvara Avalokitesvara rescue protection and restoration is an extremely complex project, I suddenly could not think of it more difficult stone relics repair project. Difficulty reflected in two aspects: First, the structure of the image itself, and second, the color of the image. In terms of structure, 830 arms and countless fingers, have exceeded the limitations of relief, is a typical round sculpture. In other words, the actual contact area of ​​the statue with air in all its details is far beyond our imagination, making it more threatening than the environmental threats posed by other statues of Dazu Rock. Stone carcass by the ancient repair of the multi-layer gold