我迷上书法,算起来就该从孩提开始了。在父亲的诱导下,我也就一笔一画,亦步亦趋地练起来了,不料竟颇受老师好评与同学羡慕。现在看来,这应是至今没有舍弃书法的原始动力。及稍长,才渐渐领会书法的宏博与精深,也才懂得书法实际上是一门线条的艺术,之前学颜柳字仅一味强调问架结构极是片面,也就知道行内有写字与书法名称的差别。我学书自《兰亭序》起,《兰亭序》瑰丽的笔法使我眼界洞开,获益良多。可以说,《兰亭序》 I am fascinated by calligraphy, counting it from the beginning of children. Under the guidance of my father, I also painted one by one, step by step practiced up, but unexpectedly popular teachers and students envy. Now it seems that this should have not abandoned the original motivation of calligraphy. And slightly longer, we gradually understand the macro and profound calligraphy, but also know that calligraphy is actually a line of art, before Yan Yan Liu words only emphasizes that the structure is extremely one-sided question, that is, there is a line of writing and calligraphy Differences in names. I learn from the book “Orchid Pavilion”, “Orchid Pavilion” magnificent style of writing so that my insight into the field, benefit a lot. It can be said that “Orchid Pavilion Preface”