乔伊斯虽然没有写过自传,但其作品大多取自他的个人经历,并将个人经历与文学虚构交织在一起,同时突出作品的虚构性和寓言性。乔伊斯这样做既出于他的自我中心主义,又受到他的美学思想的影响。通过作品中主人公的自我嘲弄和多重人格,乔伊斯使传统的传记,包括自传,都受到质疑,并最终将《芬尼根的守灵夜》写成一部集真实与虚构于一体,多重人格并存的后现代的类传记。这样,从《斯蒂芬英雄》的传统浪漫式自传开始,乔伊斯最终走向了对自传的后现代消解。 Although Joyce never wrote autobiography, most of his works are derived from his personal experiences and intertwined personal experiences with the fiction of literature, while highlighting the fictionality and allegoricalness of his works. Joyce did so both out of his egocentrism and from the influence of his aesthetics. Joyce’s traditional biographies, including autobiographies, were questioned through self-mockery and multiple personalities of the protagonist in the works, and eventually “Finnegan’s Nightingale” was written as a collection of true and fictionalized, multi-personality The postmodern class biography. Thus, beginning with the traditional romantic autobiography of “Stephen’s Hero,” Joyce eventually came to the postmodern digestion of his autobiography.