1由于与意识形态、与政治的紧密关系,中华人民共和国的文艺生产远远跨越了文艺自身,作家、艺术家之创作在其中既非唯一的作用,乃至也不是主导的作用。笔者近年颇强调对文艺体制管理者的研究,且试笔解剖二三例(如郭小川、周扬、张光年)。但除此之外,或者说在 1 Because of its close relationship with ideology and politics, the literary and art production of the People’s Republic of China far surpassed the literary and art itself. The creation of writers and artists is neither the sole nor the leading one of them. In recent years, I emphasize the research on the manager of literary and artistic system, and try to dissect two or three cases (such as Guo Xiaochuan, Zhou Yang, Zhang Guangnian). But otherwise, or in