二十世纪以来,全球化背景下的文化融合和艺术史的变革与发展引发出面向本源的思考。在艺术趋同的当今,本土化的追求显得尤为突出。究其跟本乃在于由外化向内省的转变—一在艺术语言上回归绘画本体,在精神上回归中国文化。尽管受当代主义观念的影响,架上绘画这一历史悠久的艺术形式仍焕发出与时代相契合的崭新生命力。闫平的绘画作品具有这种生命力,这种生命力的显现是因为艺术家在找寻普遍真理的过程中, Since the twentieth century, the cultural integration under the background of globalization and the revolution and development of the art history have caused the thinking of the origin. In the contemporary convergence of art, the pursuit of localization is particularly prominent. The reason for this is that the change from inwardness to inwardness returns to the painting body in art language and returns to Chinese culture in spirit. Despite the influence of the concept of modernism, the historic art form that has been put on the painting still radiates a brand new vitality in keeping with the times. Yan Ping’s paintings have this vitality, this vitality appears because artists in the process of looking for universal truth,