在王宁德的作品看似有一个可以清理出来的原初文本,一方面好象重新回到了中国文化记忆的问题;另一方面,他作品中对记忆描述的明显虚构性质,隐藏了自己在叙述中的被建构性,使得叙述脱离了自己的面对,呈现出开放的一面,也陡然增加了语言的凝重感。王宁德由于重视个人音调而拒绝了摄影的表现点,看他的作品,好象有一种明显的叙事感。他在叙述中有着明显的 On the one hand, Wang Ningde’s work seems to have an original text that can be cleared up. On the other hand, the apparent fictional nature of the memory description in his works hides his own narrative Was constructed, making the narrative out of their own face, showing an open side, but also suddenly increased the sense of dignity of the language. Because of his personal tone, Wang Ningde rejected the performance point of photography and looked at his works as if there was a clear sense of narrative. He has obvious narratives