论文部分内容阅读
古代时候,山水画写生和创作原本就是不可分割的整体,一句话概括之为外师造化、中心得源。持续至今,现代山水画的写生和创作,便呈现出相对独立性,写生既可以为后期多元化创作提供丰富的指导性素材,同时更可以面对实际景致进行独立完整化勾勒,尤其是山水画写生在创作的转化历程,原本就是一项饱含探究价值的课题。笔者的核心任务,就是在理清山水画创作转化的要点基础上,结合丰富实践经验探讨论证山水画写生在创作中的转化细节,希望能够引起相关人员注意。
In ancient times, landscape painting and creation were originally indivisible whole, a word summed up as a foreign teacher of good fortune, the center of the source. So far, the modern landscape painting sketching and creation, they showed a relative independence, sketching can not only provide a wealth of guiding material for the later diversified creation, but also can face the actual situation of the independent integrity of the outline, especially the landscape painting in the The transformation process of creation was originally a subject full of inquiry value. The author’s core task is to clarify the transformation of landscape painting sketch based on the combination of rich practical experience to explore the transformation of landscape painting sketches in the creation of details, hoping to attract the attention of relevant personnel.